objectImage:Tutorial%20images/Tech/free-software-32/major-sketch-pad-460-100.jpg Af Kreativt Darhus Major Sketch Pad This 'free' version is officially a demo - you can only use one instance per song with the built-in presets - but it's fully-functioning enough to be included here. It now supports parallel filter routing and comes with a more user-friendly interface. Platform/format: PC, Mac/VST, AU Downloadĭesigned to enable you to create volume, pan and filter modulations, the second version of FilterShaper is now available. Without changing the pitch, Shorten by factor of two, and shift up by 120Ĭents.Cableguys filtershaper 2 Cableguys FilterShaper 2 Version), Noise Gate (the expanded version), Lengthen by factor of two Reversed (unless otherwise noted, use the normalized version as the sourceįor the following), reduce gain by 50%, change EQ using Parmetric EQ,Ĭhange EQ using Graphic EQ, Compress/Limit, Expand (the compressed The firs file (mono) should countain: the original, normalized version, (Due 99/09/16, all assigments are due 2pm) Take the first 50ms of the "Sh" in "Short." and.Repeat the last problem (#5) Use Track 9 and Time-expand 3.Results? What is the difference between this result and Track1? Try to make itĬlose as possible to Track 1.
Use Track 3 and Pitch-shift down 2 octaves.Repeat the last problem (#3) using Track 2 as the source.ĭocumenting the window type and the number of bins, describe theĭifference in the results compared to results using Track 1.Pitch-shift down 2 octaves (Tracks 5-6).Hardcopy (start without using the Resynthesis Gating). Window type and the number of bins used for both versions and Results and another which is to you most "interesting." For each, provide two versions: a most natural and Using the Phase Vocoder in SoundHack and the sound of Trackįollowing.Record the same phrase in the same manner but in a veryĮnvironment, preferably outside (traffic noise)."Short-time" should be spoken and "synthesis" should Record as best as possible the phrase "Short-time synthesis".Submit the result of this assignment on a CD and a hardcopy of Submit the hardcopy of the orch and score files and place a copy inĪssignment #3 (Due 99/09/30, all assigments are due 2pm)Ī1 oscil p4, p5, 1 where p4 is the amplitude andĪssignment #2 (Due 98/09/23, all assigments are due 2pm) Use time-varying dynamic envelope and frequency change.Repeat above using Trumpet-like sound using the information on.Repeat above using one oscillator using sawtooth wavetable.Repeat Assignment #3 using sawtooth generate by using 10 sine.Note also that the B-flat is dampened by aĪssignment #4 (Due 99/10/07, all assigments are due 2pm) Use additive, FM synthesis or vibes to simulate the Reproduce as accurately as possible, the following vibraphone excerpt. Other waveforms can be implemented optionally.Īssignment #6 (Due 99/11/04, all assigments are due 2pm)Ĭompose a 5-minute Csound composition using mostly Karplus-StrongĪlgorithm along with some AM, RM, FM, and waveshaping.Īssignment #5 (Due 99/10/14, all assigments are due 2pm) They should, at least, have sin waves as the carrier and Using SuperCollider, write nice GUI demos of Amplitude Modulation and EachĪssignment #7 (Due 99/11/16, all assigments are due 2pm) McCartney's "Why SuperCollider" examples.
Using SC, create a reverb with adjustable reverb time and dry/wet slidesĪs well as input and ouput gain controls.
Implement assignments #8 and #9 using Max/MSP.Īssignment #9 (Due 99/12/07, all assigments are due 2pm) 3)Īssignment #10 (Due 99/12/14, all assigments are due 2pm) Introduction to Digital Sound Synthesis (Roads, Chap.